Sine Senze is Martina D’Anastasio, a young artist based in Rome. Since her childhood, she is living in between reality and an underworld populated by fairy and magic creatures. Drawing her imaginary friends to bring them to life, Martina transforms painting and drawing into the language to narrate the underworld in her mind.
Starting her studies with realistic and photorealistic painting technique at the Rome art academy, the themes of Pop Surrealism capture the artist’s imagination during a trip in the US at Dru Blair’s School of Art. Mixing these two techniques, Martina plays with elements of reality and fantasy to explore human emotions and giving form to new worlds playing with the visual elements of our contemporary society and traditional fairytales.
Combining traditional and classic icons with grotesque and surreal elements, Martina offers a personal and intimate perspective on our world with a unique lens that challenges the borders of what we consider real and logic.
Exhibiting around Italy, Europe and US, here an interview with the artist about her work and future projects.
1 – Could you tell us where your art name comes from and why did you choose it?
The name Sine Senze is a mash-up between English and Latin: it means senseless, without sense.
2 – In your works you combine photorealistic paint with Pop Surrealism themes. How did you arrive to prefer this combination of media?
I’ve been always fascinated by the photorealistic technique. You can reproduce something that looks real on a “flat” surface and if you think about it it’s more abstract than abstract art. It’s an illusion, it isn’t real. It took me many years to learn this technique. I had to work really hard, especially on colour value. But you know, as many artists I’m never satisfied, and just “repaint” reality bored me at some point. I needed more. Since I was a kid I’ve always been playing pretending to be someone else like a fairy, a witch, a magic animal. I’ve always had an alter world in my mind, full of weird creatures and imaginary friends and the way to bring them to life was to draw them. I draw since I remember, since I was a little kid. It is my way to communicate: I paint, I draw to tell you a story. I learned to paint and then I combined this skill with my inner imaginary world and that’s how my “Pop Surreal” journey began. In my painting I’m telling you a story.
3 – How travelling and meeting international artists have had an influence on your artistic journey?
I’ve met so many important artists. Some of them inspired me so much but some of them disappointed me as “real people”. I’m sure I might look delusional to some of them as well. I always think that it’s better not to know your hero: when someone is your “Art Hero” stays in your heart as a flawless soul and that’s how it should be. I know, It might sound depressive!
4 – Especially after your trip in the US at Dru Blair’s School of Art and the immersion in Pop Surrealism themes, your works often play with uncanny and beauty. How does this tension represent the combination of reality and fantasy in your work?
Travelling around the United States was a dream. I learned so much, I saw so much. It is a place where the beauty and the ugliness of this world live together, like the yin and the yang. Reality has both the faces and I wanted to express this in my art. Fantasy is the other face of reality, sorrow is the other face of joy. I wanted this tension to be expressed in my art, I want my inner world to meet the reality and built a connection between the real world and the dreams world. That’s why photorealism wasn’t enough for me.
5 – Can you tell us about your current projects?
Now I’m moving forward on my “Broken Mirrors” projects and I’m also working on “blurred” portraits series. I can’t wait to show you more! In those paint the central question is the Io (self), our identity, our bound between this world and the other one, how we are fragile and so incredibly strong at the same time.